Randy Granger

Randy Granger
In the Chihuahuan Desert near the Organ Mountains, New Mexico

Thursday, December 17, 2009

Busking like a mad elf....

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I posted a quote not too long ago on Facebook. Something about how an artist must do art, a poet must write and a musician must make music if they are ever to be at peace with themselves. Many of the comments seemed to say that music or art made them feel peaceful. Funny how every person brings what is from their context, the experience into comments. The same can be said about art so it was really interesting for me and instructive. I took the quote to mean that there is something in artists that compels them to create, and when they aren’t they will go through new interests, friends, experiences unknowingly looking to express that drive. I know from personal experience. When you take the commitment to hear the muse, as it were, you notice the world differently. You feel things others don’t and when you suppress or make excuses you can literally splinter and succumb to emotional and mental turmoil and destructive behaviors. Again, personal experience.

So seeing how every person read something different into that quote got me thinking about the art experience from the observer’s view. We look at a painting, watch a movie or attend a concert and come away with such disparate takes. I know at my performances people will say things about songs or whatever that I have no clue what they are talking about. I just listen. I just say thank you. Because ultimately I think most artists want an audience of one or many to “feel” something. Most times I don’t know where some lyrics or a melody is going but I trust it. I am not at all clever or trained enough to intentionally do this or that—i.e., manipulate what I want a listener to feel or think. Not at all. Even so all of my musical training and experience comes together and connects with a deeper source and intelligence. That collaboration is remarkable and never lets me get prideful.

When I’m not on the road I try to busk (street playing for coin) at our Las Cruces Grower’s Market. It has been going on for decades every Saturday and Wednesday. I have busked in many cities and I remember when I first started busking with the Native American Flute in 2004 I was shit. I would hide in the doorways wanting so much to make a sound I couldn’t yet. Being a lifelong musician I knew it would eventually come and it scared me to play it in public. I routinely do things that really terrify deeply. Of course I’m now completely confident playing. What I’m confident about is not that I’ll get all the notes right—that is no guarantee—but that I can communicate what I’m feeling. One of the coolest things I notice is that when people walk by me, sometimes even before that realize it’s a real person playing, they change. Their pace all of a sudden slows. Their stride gets longer; they close their eyes and put their head back to let the sun hit it. It is wonderful to see that. When they realize it is me playing they get embarrassed like someone caught dancing when they don’t know someone is watching. I love it.

People are more cautious with their purses. They clutch them a little closer. Usually they walk by, pause then turn around to open their wallets or purses and toss money in my case. Or they send their kids to do it. No matter what I am playing I stop and say thank you to the kids. I want their early experiences with musicians to be a positive one. People at our Famer’s Market aren’t afraid of musicians they way some other cities are. When I play my Hang I end up answering the same questions a couple hundred times. It gets exhausting but I’ve learned to be patient. Days when I’m not feeling patient, aching with arthritis, depressed, angry etc. I don’t bring the Hang. Still the number question is do I make my own instruments. I seriously don’t know what that it about but other musicians tell me it happens to them.
I am so grateful that I can actually make money busking. It is not for the sensitive or moody. You encounter thousands of people in a several hour period. No exaggeration. You must put up with cranky vendors, asshole cops, know it alls, transients eyeing your tip case, asshole Mariachis…(can’t figure that one out yet), competitive performers who set up way to close to you, people not respecting your time, music, personal space, dogs who steal the candy you set out for the kids or piss on your case….

If you can’t take that all in stride and still smile at absolutely everyone, expect the really creepy ones, you should not be out there. I can make friends with anyone and usually do. I try to play short, entertaining songs because you only have them for a few seconds. People take so many photos and videos of me playing I wonder where they all end up? I’ve been learning Christmas songs on the Native Flute which is not that easy. Cross fingering, half and micro holing not to mention every flute maker is different in the fingering and notes you can reach. I set up with my Roland Mobile Cube, a clip on mic, my cd’s, tip case, candy and my post cards which is all a small hassle to transport but worth it. Lately I’ve come to rely on the income of it all and usually sell out of CDs. There are a few hagglers…geez. Don’t make me get out my taser…haha. You will be interrupted, dissed and overlooked but you will also learn so much about how people experience live street music and musicians. Most of all you will be doing exactly what you, as a musician, are meant to be doing. It may not be a concert hall but it is real. You know the renowned violinist Joshua Bell went busking with his Stradivarius in the New York subways as an experience. He got completely and actively ignored for the most part. Jeff Buckley was so freaked out by his stratospheric success that he cancelled a tour and went busking and playing solo in coffee houses. Same thing. Everything you do that scares you will make you stronger. Believe me. I was playing last Saturday and a woman asked which was the best CD for her to buy. I mentioned the various songs. She wasn’t impressed. I mentioned the various awards they received then. She looked at me like I was purple with orange spots, rather incredulously. She said are you telling me you’ve won awards? I said yes, a few here and there. She said well then what the hell are you doing playing here for dollar bills? I said I was really enjoying myself.

Merry Christmas and thank you for your support and allowing me to live simply, create music and support myself all while really loving what I do.

Randy

Here’s a video for What Child is This from Winter Colors.

Monday, November 30, 2009

Chaco Moon Meditation Dance Premiere this weekend.

News Center">News Center

‘Tis the Season’ for dancing
Date: 2009-11-30
Writer: No author cited

The New Mexico State University Dance program will present its annual holiday dance concert, “Tis the Season” at 7 p.m. Saturday, Dec. 5, and 3 p.m. Sunday, Dec. 6, at the Onate High School Performing Arts Center.

NMSU performing companies will include Contemporary Dance Theatre, Sol y Arena Flamenco Dance Company and Crimson Rhythm DanceSport.

Contemporary Dance Theatre (CDT) will perform “Paloma Blanca,” choreographed by Debra Knapp. The piece will be performed to “Cucurrucucu Paloma,” composed by Tomas Mendez and sung by Perla Batalla.

When Knapp said when she first heard this rendition, she felt the sadness of the lyrics but also was overwhelmed by the beauty of the song. She chose to create movement that would represent the beauty of love and the memory of what is so enduring about love.

Student members of CDT have collaborated under the direction of Knapp to create the choreography for a modern dance piece using large colored scarves titled “Ray of Light.” “Chaco Moon Meditation” by Las Cruces musician and composer Randy Granger will be the music for this flowing dance.

Also being performed by CDT is “From Our Pages,” choreographed by NMSU dance faculty member Ann Gavit. This piece is a glimpse into the life of a family, and will be performed to “Ode to Simplicity,” “Serenade to Spring” and “Papillon” by Secret Garden.

Set during World War II at Christmas, NMSU dance faculty member Kendal Cherry Beasly has choreographed a period piece danced by CDT members. The characters find themselves resting on park benches after a day of shopping and work. With many eligible men off at war, one handsome gent catches the attention of the ladies and soon, the pursuit is on. “Bye Bye Blackbird” is danced to “Ballin’ the Jack” and “On the Sunny Side of the Street” by Les Brown, as well as “Bye Bye Blackbird” and “Zing! Went the Strings of my Heart.”

Sol y Arena will perform “La Entrada,” an adaptation of the choreography of Pablo Rodarte arranged by NMSU dance faculty member Lucilene de Geus. “Huellas de Gaviota” with music by El Pele, is an Alegrias flamenco dance choreographed by NMSU dance faculty member Paco Antonio. “Guajira,” with music by Paco Jarana, is choreographed by Lucilene de Geus. “Bulerias” is choreographed by Antonio Granjero. “Palomas Oscuras,” with music by Camaron de la Isla, will be performed by dancers from Alma d’Arte charter high school, and is choreographed by Lucilene de Geus.

Crimson Rhythm will perform dances to holiday music ranging from intense and powerful to playful and festive. Student choreographed dance numbers will include fox trot for four couples, a swing/Lindy Hop/quickstep number, a 3-couple Viennese waltz/jive number, and a Viennese waltz. NMSU Dance faculty member Betty Burgess and student Derek Levya will perform a Nightclub two-step to the song “Where are You, Christmas?” by Faith Hill.

Tickets are $8 for students and Pan American Dance Institute (PADI) members and $10 for adults. For more information please call the NMSU Dance department at (575) 646-2070.

Wednesday, November 25, 2009

Daydreaming across the south...

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How quickly the holiday season is arrived. I’m grateful to be home and am looking forward to the huge Thanksgiving Day dinner with the same group of friends. It has become a nice tradition. We eat about 2:00 then go for walk along the Rio Grande walking path, then go back for coffee and home-made apple pie. My own past thanksgivings have been not always too peaceful so I value these memories. There are about six poets, 5 musicians, 2 book publishers, 2 artists, 3 self-entertaining kids, about 20 people in all…and a partridge in a pear tree. Not really, but it seemed to fit. I’m back from my most recent travels to Florida. I played at the Native Rhythms Festival in Melbourne. This was their inaugural festival and I wish them complete success. What I like about it was how friendly the people were. The organizers, volunteers and the general public who came out stopped and took a moment with you. Hey when you tour like I do half the year or more you learn to appreciate very much friendliness. The festival didn’t feel as commercial as many festivals have become. Sometimes, just in my opinion, the drive to move product, sell flutes, be the headliner can make things feel aggressive. I think Native Rhythms is on the right track and I could see them already thinking on how to make a more integrated festival experience, i.e., vendors, entertainers etc. in a more communal space. That is something I think really helps for a better festival experience. Most festivals have the vendor’s tent backs facing the stage and usually a couple of hundred yards away. See photos at http://nativerhythmsfestival.com/2009_photos.htm


Here’s the thing. When the public is there talking to you at your booth, or sitting in the audiences or simply asking you where something is—you ARE their festival experience. They way they are treated reflects exactly what they will take away and report to others. For example: A woman stopped at my booth. She had heard me play and wanted to maybe buy a CD. She said she had flown from Pennsylvania to come to this festival. I asked if she knew anyone here. She said no but she had seen it advertised or posted on line somewhere. I asked if she was enjoying it. She smiled and said, “Oh yes.” She recounted how she had flown out to a flute festival (I’m not saying which one) and that it was good but that she didn’t feel very welcome. I asked if she wouldn’t mind elaborating. She said she didn’t know anyone there either and that while people were friendly enough, she kept feeling like she was bothering them (the vendors and musicians) when she tried to talk and that it seemed cliquish so she left early. Wow. I felt so sad when she said that I invited her to sit down and we talked for an hour about flutes, music, traveling etc, in fact I missed out on the final jam session because I thought it more important to make a connection and help build our community. She bought four CD’s; I gave a discount as well and put her on my mailing list.

The point here is not to say I’m great or anything. The point is what I’ve learned my many years as a professional musician. It is about human connection. It isn’t about your $1300 flute with Abalone Inlay and dinosaur totem or your press, reviews, awards, reputation, groupies you pepper in the audience or even your skill at some level. It is about sharing your passion, and your person, with others in a real and authentic way. I owe my success to making one fan at a time and selling one CD or download at a time. Believe me, when I’ve heard for the 179th time in a day (no exaggeration) if I make my own flutes and what a Hang is my eyes can glaze over but I remind myself to treat them as I would like to treated by performers. Michael Allen and I were playing on stage during his set. A woman walks up to the edge of the stage and says, “Could he tell everyone what that thing he is playing is?” I looked at Michael and he says go for it. Next day, he notices a woman in the audience (this was an afternoon set) who is looking confused and puzzled. He says I think we have some people wondering what that is Mr. Granger. So he says the Hang spiel and she yells, “But what is it?” The Hang is something so outside of people’s frame of reference that even if you tell them and explain what it is they just are not going to get it. Anyone who knows Michael Allen knows he is without ego and more laid back than a surfer. Still, when you are playing on someone’s set you are there to support. I was glad he tried to explain about the Hang. When I’m on stage I just ask people to go to my website… haha. Visiting with Doc Greene, Mark Holland, N. Scott Robinson and Jonny Lipford (a friend for several years) and Clint and Vera Goss was awesome. I love getting to know other musicians on a personal level and talking shop as it were. I spent a lot of time hanging out with Bruce the sound guy as I share a love of live sound and engineering.

I had a wonderful time. I am so fortunate that I am easily entertained. One of my pleasures is to think about something and follow that thought all the way through. One thing I think about is how the distance between electrons in an Atom compared to the universe, or how thoughts have weight, mass and velocity or how time is cyclical, dimensional and changes with gravity. I spend several hours driving just on these thoughts and it is such a treat for me. They used to call it “Daydreaming” but I just call it wondering. I got to see my cousin Toni who lives near Tampa. I hadn’t seen here since she was in training shorts and wore really high pig-tails. We don’t know much about each other but we knew we’d find something in common. It was great. She was showing me the ritzy homes along the water in Tampa. She is a professional in the TV industry. She asks me, “So cousin, what are your favorite top five movies or films?” I say, “Well probably, Humoresque, How Green Was My Valley, Bring it On…..” She says, “Wait wait wait…Bring it On as in Brrr it’s cold in here…?” I said yes that’s the one. She laughs so hard I think we’ll drive off the road. I said I have the dialogue memorized and recite it sometime when I’m driving. So much for her intellectual, artsy cousin image. While at Native Rhythms I got to say hi to Marsha the flute stand lady who is as crazy as they come—a kindred soul for sure, Dennis Fredrickson and hang out with new friends like Ed Doughtery and Jon Norris. These guys are like hanging out with cousins. We went out to eat Grouper on the intercoastal waters where a duo played Rolling Stone covers, then went back to the hotel—and not being one to ever pass up a stairwell—we played our rim-blown flutes unbeknownst to us waking up guests. One bleary-eyed guy opens the door and says hey guys it’s 1AM here in this hotel can you guys cool it? We’re thinking “in this hotel?” I pointed out it was only 11PM in New Mexico. We apologized profusely and promised to stop. Ed and Jon seemed embarrassed a bit but I assured them it happens to me all the time and most hotels put my room next to the stairwell anyway. Cirque de Solei’s cast was staying there as well and they were always outside the door smoking and stumbling drunk when not running up and down the hallways with not much clothing. So we didn’t feel so badly. There was sequence and glitter all over that hallway.

I know the crowds will only grow for Native Rhythms. All the factors are there and the organizers are smart, perceptive and flexible it seems. If I’m invited back I will definitely make the journey with gigs along the way as I usually do. I love Florida. How nice it is to feel part of a community who shares the love of the Native American flute and its peaceful effect on people. I hope the vendors made enough money to meet expenses. Don’t forget that while we all love what we do in the end we need to justify it to our bank accounts, wives, husbands, partners, children etc. I’m happy to say I’ve never lost money promoting or performing at a show. It has taken tons and tons of work, personal invitations, building an audience and a willingness to spend just as much time with someone considering buying a CD as it takes. I made double my expenses at Native Rhythms thankfully. I don’t say this to boast, but I am not at all squeamish talking about the business side of the music business. It is an exchange and when you feel what you do is valuable others will too.

I am thankful for so much every single day. I do a mental inventory before I even get out of bed. I have lived the worst and best of life and am glad that presently, it is mostly good. I read biographies and memoirs of successful people and one thing they always have in common is their passion. My passion is music and anything creative. I take pleasure in the lady bug who hitched a ride in my car over 600 miles until I finally put her on a rose bush. Likewise in helping giving someone directions. What I’ve learned from Dogs is that each moment is exactly what it is. And so it is. Happy Thanksgiving friends.

Randy

Here is an improve I did with Michael Allen on Mike Knight’s Zumba Tubes….Enjoy